Tan Wei Kheng brilliantly captures the beautiful portrait of an elderly woman and young penan child in this set of works. The kind expression and details of the wrinkles further enhance the soulful expression of the lady, and the boy's eyes are well captured. Through the works of Tan Wei Kheng, the world is appraised of the lot of the Penan, Kenyah, Kayan, Kelabit, Iban and other tribes, in the flesh, all eking a living in the deep Sarawak interiors. Wei Kheng found fame in 2009 in an exhibition in Zurich, Switzerland (Gallery Avanthay Contemporary), when all his portraits of the indigenous people in Sarawak were sold out. Self-taught, he held his first solo at the Miri Boat Club (1991), followed by Hilton Hotel Kuching (1992), Holiday Inn Miri (1993), Rihga Royal Hotel Miri (1994), Hornbill House Miri (2001), Art House Gallery Kuala Lumpur (2003), Panaga Club, Brunei (2009), Metro Fine Art, Kuala Lumpur (2012). His solo called Vanishing Jungle Childhood was held at RKFA in July 2020.