This piece depicts two women wearing gorgeous batik kebarung dancing expressively through the rhythm. The expression portrayed on the face of each dancer is strong as if they indulge deeply in the moment leaving the world behind. Although choreographically their movements are not synchronised to one another, their souls seem to connect and form beautiful movements together, dancing gracefully in nimbleness. Harris started being a street artist and started learning painting at the Angkatan Pelukis SeMalaysia (APS) base. He worked as a paste-up artist in a publishing house. He then joined a Bahasa Malaysia daily as a graphic artist, then art director, and was even a reporter and a sub- editor. At one time, he had a pondok base at the artist’s colony in Conlay, under the Malaysian Handicraft Centre, Kuala Lumpur. His wife, Fauziah Ismail, also paints, but of exaggeratedly thin women.